To watch a Wilson play, one really needs to surrender to his absurd dreamscape. His mastery of light and abstract design, sound and movement is always perfection. It was not until after that I read it was based on a Daniil Kharms book by the same name during the post WW1 Russian surrealism. You can read more about it here. But really the main reason I went to see the piece was to catch a glimpse, in person, of my childhood idol, Baryshnikov. "I'm a performer. I go on stage and make a fool of myself" he once said and tonight was no exception, not only for him, but also Dafoe. They played off each other as a madcap couple, where one was graceful, the other comic, tireless in their mature age. Inspiring to see how two artists carry their art throughout their lives.
Thursday, June 26, 2014
old woman
New York is one of those places, that even after almost 14 years, you can be constantly reminded of the gifts it throws at you. Today was one of those days when on a whim I strolled over to the BAM in hopes of finding a ticket to a sold out show of Bob Wilson's The Old Woman starring Misha (Baryshnikov) and William Dafoe. And with some patience and luck, for less than $40, I got an orchestra ticket 10 rows from the front.
To watch a Wilson play, one really needs to surrender to his absurd dreamscape. His mastery of light and abstract design, sound and movement is always perfection. It was not until after that I read it was based on a Daniil Kharms book by the same name during the post WW1 Russian surrealism. You can read more about it here. But really the main reason I went to see the piece was to catch a glimpse, in person, of my childhood idol, Baryshnikov. "I'm a performer. I go on stage and make a fool of myself" he once said and tonight was no exception, not only for him, but also Dafoe. They played off each other as a madcap couple, where one was graceful, the other comic, tireless in their mature age. Inspiring to see how two artists carry their art throughout their lives.
To watch a Wilson play, one really needs to surrender to his absurd dreamscape. His mastery of light and abstract design, sound and movement is always perfection. It was not until after that I read it was based on a Daniil Kharms book by the same name during the post WW1 Russian surrealism. You can read more about it here. But really the main reason I went to see the piece was to catch a glimpse, in person, of my childhood idol, Baryshnikov. "I'm a performer. I go on stage and make a fool of myself" he once said and tonight was no exception, not only for him, but also Dafoe. They played off each other as a madcap couple, where one was graceful, the other comic, tireless in their mature age. Inspiring to see how two artists carry their art throughout their lives.
Wednesday, June 25, 2014
Wednesday, April 16, 2014
Monday, April 14, 2014
The following story was a very moving one for me personally. As our middle class economy struggles into the depth of poverty, more and more families are finding themselves on the edges, to the point of homelessness. The Scales are one of these families and we had the humble privilege of accompanying them, even for just a couple days on their challenging journey. Brooke Lea Foster reported on their story and the very gifted Gail Albert Halaban spent the day photographing this exceptionally kind and warm family. May all my deepest gratitude go to them. With the help of the Northern Virginia Family Services, I'm happy to announce that they have found a secure home for the next year as they rebuild their lives.
A few of my favorite out-takes which didn't make it into the story:
All photos copyrighted to Gail Albert Halaban and Scholastic, Inc.
Sunday, April 13, 2014
Arnaud Boutin
Wonderfully cool and playful Arnaud Boutin (who works by day for Michel Gondry) created this 4 page story for us. Design by Amanda Kirk.
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